Wednesday, July 23, 2014

15 Awesome Hacks To Make You A Photography Expert

Learn to take pictures that look professional either upload them to Facebook or want to send them as Christmas cards, is a skill that friends and family will envy. Forget about spending your money on expensive cameras and lenses; instead, learn to take great photos with tricks that the pros use.
Once you’ve mastered the art, you can start saving for that fantastic digital camera that your heart desires. Follow the advice from this content and goes from being an amateur photography to be a real professional. Seize the environment in which you find and apply these hacks for the best photographs of your life.

1. Identifies the focus

Identifies the focusClose-up couples: Decide before shooting what the focus of the photograph. What is the picture? Is it a picture of your girlfriend? Is a photograph of the pyramids of Egypt? It has to be easy for anyone to see a picture to know what the picture is, do not make the mistake of trying to capture too many elements.
Although the center is named, the focus does not have to be the object that is in the center of the photo or be the object that occupies most of the image.

2. Fill the frame

Fill the frame
The best way to tell a story in a picture, is occupied mostly with that “something”, thus it became the center of attention. It is too common mistake to want to take too many things in a single picture. In the end, what we get is that it is not too clear about what we wanted to teach. When in doubt whether or not something should come out in the picture just take out it.

3. Lean on lines

Lean on lines
Buildings savior: The bay lines are an essential element in the picture. The lines give us shapes and contours. With the lines we draw the viewer’s eye from one part of the picture to another. The horizontal, vertical and diagonal lines are compositional elements that provide meaning to images. Direct the viewer’s gaze to the point of convergence of them.

4. Works flow

Works flow
Flow is the way in which the viewer moves from one part of the picture to another. One way of defining the flow of a picture is by using lines. They can be vertical, horizontal, diagonal, diverging and converging. The viewer should be able to loop through the items from one place to another image.
The flow creates the illusion of movement (or no movement if desired). Diagonal lines are generally considered further “dynamic” whereas vertical and horizontal lines are considered more “static”.

5. Plays with the direction

Plays with the direction
The skied girl is similar to the flow direction. It also creates the false impression of movement. When there will be something in the picture that appears to be in motion, has a direction in which it moves.
This figure conveys movement though because we can see static imagine a second later on the other side of the picture. Similarly, a person about to cross a street while his arms and his feet do not move, we can imagine across the street.
It is important that the moving elements seem to enter the picture, aside from this, leaving more space in the direction of motion. Otherwise the route is cut and it seems that we were late to take the picture.

6. Follow the trail look

Follow the trail look
In the previous rule, the person or animal that looks should be located in the photograph so that the free space in the direction of gaze exceeds left behind. But it would seem that the image is cut off.
This rule is very useful in portrait photography. Apply it to create better compositions.

7. Repeated elements

Repeated elements
The bride white roses repetition of some element, gives a sense of relationship of different parts of an image. For example, a flock of birds may be moving in the air group, defining interesting shapes in the sky and adding information on the direction of photography. Sometimes you can provide psychological factors, such as the sense of togetherness and companionship.

8. Colors always say something

Colors always say something
There sunrise two types of colors, warm and cold. Red, orange and yellow are part of the warm palette. The blue, green and violet are on the side of cool colors. There are many psychological elements linked to the colors. As an example, consider the blue calm colors, while the reds are more temperamental. The color plays a decisive role in the composition.

9. Interest groups three

Interest groups three
Three boys jumping on a wedding looks be a special collection of odd numbers in photography, and especially groups of three elements. A single element can convey loneliness or isolation, with two elements a photo can be very well balanced and static, and four may be too many elements to distribute. For some reason you cannot explain to people we like the number 3. Photograph usually works in the sum of three elements as the center of interest.

10. Rule of thirds

Rule of thirds
If boyfriend’s couple divides a picture into grids of equal size 3×3, four grid intersections within the box marked strengths. The 4 points of intersections indicate the photographer what areas are the most appropriate to place the objects you want to be the center of interest. In case there are two points of interest, you try that are located on opposite strengths.

11. Horizon

Derived landscape prior three thirds rule, comes this basic rule that tells us where we should place the horizon in a photograph. It is placing the horizon in one of the strong horizontal lines, either in the bottom or the top, but never in the center of the image where we usually put it instinctively.

12. The negative space

The negative space
Black is wedding gift fund considers large empty negative space, usually in black or white, in a photograph, usually on one side spaces. The remoteness of the central element of the image, filling out the rest of the photo of an empty space allows us to transmit additional information of loneliness, isolation or calm to the image. Although it is not a resource that we will usually use, it is worth knowing.

13. Working three dimensions. Foreground and background

Working three dimensions. Foreground and background
The former content front and back of a photo is important. The important thing in the front and in the background is that there is too much detail to distract the viewer’s eye to the center of interest. The best tool we have for the difference between the front and back of our photos is the depth of field. Thanks to the aperture we use when taking pictures, get more or less clearly in the background.

14. Framing Nature

Framing Nature
There building framing elements that can help put a framework to focus the picture. Some of these elements are very clear, completely covering of the photo, such as doors, windows or bridges. Others act in a less clearly, simply orienting our view. This is the case of traffic signals or tree branches. Anything that “encloses” the focus will allow us to frame the photo, drawing attention to the desired item.

15. Curves in S

Curves in S
The curves in “S” as a road, a road, a river, are very powerful visual elements that give interest to photography. It is associated with sensuality. Also transmit motion and help drive the look.
A highly priced camera or is not factor for being a professional photographer where the most important factor is to learning, and practice. If you maintain these hacks or tips in your daily practice then with in a time you would be turned into a great photographer in the world. For some lazy learners like me, you can take advantage of your apps in mobile device likePowerCam, which can offer numerous effects to preview before capture.

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